In the aforementioned article, Rosendale points to Philip Sidney as one who “translated the logic of sacramental representation to the worldly sphere of the literary. His Defense of Poesy posits a particularly close relationship between figurality and truth, and positions poetic representation as a peculiarly sensitive site of synthetic access and constructive negotiation between real and ideal, mundane and transcendent, earth and heaven. Ultimately, the Sidneian engagement with fictive signs offers nothing less than a worldly version of the transforming grace available to the faithful participant in the Reformed sacrament.” Both at the table and in reading poetry, one is transformed by the power of “fictions.”
Peter Leithart
Peter J. Leithart is President of Theopolis Institute. He is the author of numerous books on theology, literature, and culture, including Theopolitan, Defending Constantine, and Baptized Body.
More from Literature
Continue reading related articles

God's Plenty
A few thoughts on the “General Prologue” to Chaucer’s Canterbury Tales . 1) The Prologue sets the stage for a multi-layered set of tales. The real-life Chaucer is, of course, the author, but in the Prologue, he introduces a fictional version of himself as narrator: It happened in that season…

Violence as Poetry
Paul and Jane Sinclair, protagonists of J.G. Ballard’s 2000 novel Super-Cannes , move from England to the French Riviera to live at a new high-tech business park, Eden-Olympia (!), after Jane’s friend and former lover, Dr. David Greenwood, goes on a killing spree that ends with suicide. Jane, a pediatrician,…

Memento Mori
Virtually all the characters in Muriel Spark’s 1959 novel, Memento Mori , are over 70. They suffer the physical humiliations of aging and the pains of regret. Unexpectedly, hilariously, they’re as competitive and petty as schoolchildren. Well into his 80s, Godfrey Colston scorns the crippled critic Guy Leets for the…
In Medias Res
Your weekly digest for all things Theopolis.