Hyde ( The Gift: Imagination and the Erotic Life of Property , 50-51) distinguishes between “work” and “labor.” The first is what we do by the hour. Labor has its own pace, and there is no timetable or tool to make it work more efficiency: “Writing a poem, developing a new calculus, resolving a neurosis, invention in all forms - these are labors.”
Labor is something suffered, a passion: “Things get done, but we often have the odd sense that we didn’t do them. Paul Goodman wrote in his journal once, ‘I have recently written a few good poems. But I have no feeling that I wrote them.’ That is the declaration of a laborer.”
Since it sets its own pace, labor “is usually accompanied by idleness, leisure, even sleep.” Hyde does a numerological riff: “the ‘7’ is the number for ripening; ‘8’ is the number for perfect; but during the seventh period what has been accomplished by the will is left alone. It either ripens or it doesn’t. It’s out of our hands.”
So, the secret of productivity: Take afternoon naps, laze about a good deal, never work after dinner, and keep Sabbath.
Peter Leithart
Peter J. Leithart is President of Theopolis Institute. He is the author of numerous books on theology, literature, and culture, including Theopolitan, Defending Constantine, and Baptized Body.
More from Art
Continue reading related articles
Why Art?
My wife recently hung a small painting in the master bathroom. I bought the painting some years ago during a trip to Florida. In slightly impressionistic style, it depicts a rowboat tied to a dilapidated dock. Behind the boat the sea stretches out until it meets the graying sky. When…
Degas and His Models
The Paris Review published an excerpt from Jeff Nagy's forthcoming book on Degas and His Model . Written by one Alice Michel, and purportedly based on a first-person account from one of the painter's models, named Pauline, the account was first published in 1919 in Mercure de France. Nagy thinks…
Ironies of Participation
Hal Foster's Bad New Days is an assessment of the past twenty-five years of European and American art. Foster organizes his treatment under five themes - Abject, Archival, Mimetic, Precarious, and Post-Critical? One will notice that “beauty” is absent. Today's avant garde makes Francis Bacon look tame. One of Foster's…
In Medias Res
Your weekly digest for all things Theopolis.