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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Books

For the Life of This World

Russian Orthodox liturgist Alexander Schmemann died in 1983, but his importance continues to grow, sometimes in surprising ways. A Russian transplanted to Paris and then to Crestwood, New York, he was an acute observer of the American religious scene. He possessed the clarity of vision the Spirit often grants to…

by Peter LeithartApril 15, 2013
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Deuteronomy

Law and History: How to Read the Law of Moses (Part 5)

This is the fifth in a series of studies of Deuteronomy 22:3-23:8. "A bastard ( mazmer ) shall not enter into the assembly of Yahweh; even to the tenth generation shall none of his enter into the assembly of Yahweh" (Deuteronomy 23:2). [i] The translation “bastard” here for mazmer ,…

by Ralph Allan SmithApril 11, 2013
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Christian Nationalism

Christian Imperialism

The Enlightenment project is very comprehensible in terms of the “Wars of Religion” that followed the Reformation. It's questionable whether all that is said about the Wars of Religion is entirely fair (R. J. Rushdoony’s Christian Survey of World History has some very helpful things to say about this). Still,…

by Richard BledsoeApril 8, 2013
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Deuteronomy

Law and History: How to Read the Law of Moses (Part 4)

The fourth in a series of studies on Deuteronomy 22:30-23:8. One wounded by crushing, or cut in the member shall not enter into the assembly of Yahweh (Deuteronomy 23:1. [i] The translation of this verse varies in different English versions. The basic idea is clear enough, however: a eunuch is…

by Ralph Allan SmithApril 3, 2013
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Theopolis News

Leithart at Wheaton

Trinity House President Peter Leithart will give a lecture on violence at the 2013 Wheaton Theology Conference later this week.

by Peter LeithartApril 2, 2013
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Deuteronomy

Law and History: How to Read the Law of Moses (Part 3)

The third in a series of studies on Deuteronomy 22-23. This continues the second essay, which examines Deuteronomy 22:30: "A man shall not take his father’s wife, and shall not uncover his father’s wing" (Hebrew: kanaf ). The Sin of Ham Another story would almost certainly occur to an ancient…

by Ralph Allan SmithMarch 27, 2013

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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