Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
So God created man in His own image, in the image of God He created him; male and female He created them. Genesis 1:27 In an ever-increasing barrage of self-obsession and tailor-made realities, how does the Christian navigate the waters of being someone who experiences life in the first person…
American church music is in a slump. To get out of the slump, we need a 10-year plan, a 50-year plan, and a 100-year plan. Many are doing extraordinary work on reforming church music in the near-term, and a few in the mid-term. What is desperately needed is the 100-year…
The following is an excerpt from The Maker Versus the Takers: What Jesus Really Said About Social Justice and Economics ¸ by Jerry Bowyer (New York, Fidelis Books, Post Hill Press, 2020), release date Sept. 15 th . The section below argues that the ‘Rich Man’ in the parable refers…
Could Absalom be a Christ-type? If you know much about the Bible, you likely have an immediate aversion to even the possibility of answering this question in the affirmative. Absalom was third among David’s sons, while Amnon—his brother from another mother—was first (2 Sam. 3:2-3). As Absalom’s story begins, it…
All four Gospels not only associate Barabbas and Jesus quite unabashedly, they do so emphatically and with a deep theological message. The scene is well-known. In His trial before Pontius Pilate, though Jesus had been declared innocent more than once, there seemed to be no hope of releasing Him. Pilate…
The Theopolis Institute is pleased to announce the second round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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