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John

Israel Redux: The Image of Christ in the Gospel According to John (Part IV)

John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…

by Geert HeetebrijDecember 6, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part III)

John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…

by Geert HeetebrijDecember 5, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part II)

John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…

by Geert HeetebrijNovember 29, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part I)

Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…

by Geert HeetebrijNovember 27, 2018
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Art

The Clouds of Mt. Sinai

The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…

by Remy WilkinsNovember 22, 2018
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Revelation

Egypt and Sodom, Where the Lord was Crucified

The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…

by Mike BullNovember 20, 2018

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As a Little Child

L ook at a wall, suggests Matthew Crawford ( The World Beyond Your Head ). What color is it? You probably have an answer, a simple one, but when you force yourself to look closely you can see all sorts of variations. The paint is uneven; the old color shows…

October 14, 2016

Denominational DIscourse

P rior to the 1830s, argues JCD Clark ( The Language of Liberty, 1660-1832 ), British political debate was carried on with denominational idioms. Political divides were denominational divides. Political and denominational issues overlapped and intertwined. Political networks, on both sides of the Atlantic, followed denominational pathways. As Clark puts…

October 14, 2016

Why We Sing

I n Revelation, martyrs sing before martyrdom and after martyrdom (Revelation 14-15). Their martyr songs are the war songs of the Lamb, the triumphal chants of those who overcome because they, like the Lamb, do not love life even to death. It doesn't happen only in Revelation. In his comments…

October 14, 2016

Greek Love

S ummarizing themes from his Love, Sex, and Tragedy , Simon Goldhill highlights the difference between ancient Greek conceptions of eros and Christian and post-Christian conceptions of romantic love. Even the most famous lovers of Greek antiquity, he writes, don’t express themselves with the little nothings that are normal among…

October 14, 2016

The Poet and the Christian

I n a TLS review of several new books on Kierkegaard, Will Rees comments on the therapeutic cruelty of Kierkegaard’s writing. In Sickness Unto Death , “Anti-Climacus explains how, far from an inheritance of birth, the ‘self’ is in fact a vocation – something that one must forge in a…

October 14, 2016

Queen of Snark

D evoney Looser says that Jane Austen’s juvenilia is an exercise in burlesque . Not the strip-tease variety, but not so far from that either: “Where a parody sets out to mimic conventions and make us laugh, a burlesque relies ‘on an extravagant incongruity between a subject and its treatment.’…

October 14, 2016

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