Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
He made Him who knew no sin to be sin on our behalf, that we might become the righteousness of God in Him. My argument is simple: What Paul means in writing the quotation above in context is the same as what he was telling the Ephesians when he wrote,…
THE ART OF BIBLICAL THEOLOGY IN PRACTICE: INTERTEXTUALITY AND TWO PAULINE CASE STUDIES The Art of Biblical Theology: Intertextuality Biblical Theology is really an art. Like other skills of this sort, it is not a matter of following rules (though there are certainly guidelines and techniques). Rather, it’s matter of…
Click HERE for Part 1 Reading Christotelically Jesus Christ is the heart of God’s plan for creation and history. There is no “hidden plan” or “hidden God” lurking behind Christ; rather, in and through Christ God has revealed himself and his intentions towards the world. In Christ, the Father has…
STORY THEOLOGY AND A THEOLOGY OF STORY Defining Biblical Theology What is Biblical Theology? How does it compare to other ways of doing theology, such as Systematic Theology? Geerhardus Vos suggested that whereas Biblical Theology draws a line, Systematic Theology draws a circle. That is to say, Biblical Theology is…
The gospels strongly imply Jesus lived by faith in the promise of his heavenly Father. How else can his prayer life understood? How else could he have wrestled through the Gethsemane experience? How else could he have committed himself into his Father’s care at death? How could Jesus have presented…
John 3:16 is probably best-known, or at least, best-liked Bible passage in North America: “For God so loved the world, that he gave his only Son, that whoever believes in him should not perish but have eternal life.” This declaration of God’s love of the whole world is greatly comforting…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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