Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Because of sin, the arts sometimes do not serve to glorify but to debase. Sinful men make their environments ugly, and create ugly art to “enhance” their ugly words. But since all men are still God’s images, no men are able to live with such ugliness all the time. Thus,…
Arts and literature reviews in most evangelical Christian publications generally approach their subjects in terms of ideology. We are told whether or not the film or book is acceptable in terms of morals, sexual graphicness, and theological accuracy. While there is definitely a place for such reviews, I fear that…
We speak of God as Father, Son, and Holy Spirit. The early Church tended to speak of Him as Father, Word, and Spirit. In this short essay, I want to suggest some other ways to think of the Trinity, ways that I have found pastorally helpful in my own life…
I, Yahweh your God, am a jealous God, visiting the iniquity of the fathers on the children, on the third and fourth of those who hate Me, but showing lovingkindness to thousands, to those who love Me and guard My commandments (Ex. 20:5-6). The Second Word forbids acts of ceremonial…
8. The Table of Nations If we assume births every two years, and about 30 years between generations (cp. Gen. 11:12-24), we can come up with an approximate series of dates for the generations recorded in Genesis 10. We shall assume that all three of Noah’s sons had their firstborn…
Zechariah’s first prophecy (Zech. 1:1-6) was delivered in the eighth month of the second year of Darius. The notation of this date serves a number of purposes. Most obviously, it relates Zechariah’s prophecies to those of Haggai. By the time Zechariah delivered his first prophecy, Haggai had already chided the…
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Norbert Elias’s The Civilizing Process traces modern standards of disgust and cleanliness to the development of court society during the Renaissance. Drawing on Elias, William Miller ( Anatomy of Disgust ) suggests sensitivity to disgust and being civilized are directly proportional. Martha Nussbaum ( Hiding from Humanity , 115-6) disagrees…
In his brilliant Earthly Powers (3), Michael Burleigh cites a passage from Tocqueville’s book on the French Revolution. Taking a note from Schiller about “how early modern religious wars spilled across political boundaries, which reminded Tocqueville of the ideological struggle between Jacobins and counter-revolutionaries in late-eighteenth-century Europe,” Tocqueville drew a…
Semyon Frank was a Russian emigre to London. Michael Burleigh ( Sacred Causes , 39) sums up his life: “Born in 1877 into a Russian-Jewish family, he had quickly outgrown a juvenile Marxism, converting to Orthodox Christianity in 1912, on the ground that the Jewish God was as remote from…
Our secular age can be sustained only if the secular has been carefully distinguished from the sacred, and only if the boundary between the two is vigorously, not to say violently, guarded. But boundary-drawing between the sacred and profane is the work of a priest. It is the sacred act…
Hugh Grady opens his Shakespeare and Impure Aesthetics (6-10) with a brief and illuminating discussion of Kant’s aesthetics of purity. By “pure” here is meant the freedom of aesthetic experience from cognitive reason and teleological judgments, from practical or moral interests. This disinterested experience of art is an encounter with…
Jonathan Klawans is a great one for cutting through nonsense. In his Purity, Sacrifice, and the Temple , he points to the oddity that “documents composed three, four, or even five centuries after the destruction are labeled as delayed responses to the destruction. . . the suggestion that it took…
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