Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
While controversies over the writings of Paul continue in various corners of the intellectual globe, the word of God given through Paul and his scribe and all of the church’s interpreters and translators over the last two millennia is still readily available to the lofty and the lowly. Paul, as…
The second in a series of studies in Deuteronomy. Deuteronomy 22:30: A man shall not take his father’s wife, and shall not uncover his father’s wing (Hebrew: kanaf ). There are a number of unusual features in this law that mark it out from the previous context, indicating that it…
The texts of Christianity have been slowly at work, under the power of the Holy Spirit for 2000 years now. If we could be magically transported back into the world of two millennia ago, modern Americans would be shocked at the cruelty of that world. There was no concern for…
The Story of the Gadarene Madman is told in all three synoptic Gospels (Matthew 8:28-34, Mark 5:1-20, Luke 8:26-37). Jesus ventures into a Gentile area when He passes over the Sea of Galilee. Upon disembarking from his boat, he is immediately met by a demon-possessed madman. Upon meeting Jesus, he…
Part 1 of a multi-part series of studies on Deuteronomy 22:30-23:8. Eric Auerbach, in his classic work on Western literature, devotes his first chapter to contrasting Homer with the Bible. Of Homer, he writes of the “need of Homeric style to leave nothing which it mentions half in darkness and…
Trinity House Fellow James B. Jordan will be a speaker at an International Conference on Biblical Symbolism that will be held in Seoul on Monday, May 27 in 2013. He will address "The Importance of Biblical Symbolism and Symbolic Interpretation of the Bible." The conference will have three other speakers…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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