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1 Corinthians

The Great Exchange: Understanding Second Corinthians 5.21

He made Him who knew no sin to be sin on our behalf, that we might become the righteousness of God in Him. My argument is simple: What Paul means in writing the quotation above in context is the same as what he was telling the Ephesians when he wrote,…

by Mark HorneJune 7, 2004
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Biblical Theology

What is Biblical Theology (Part 3) : The Art of Biblical Theology

THE ART OF BIBLICAL THEOLOGY IN PRACTICE: INTERTEXTUALITY AND TWO PAULINE CASE STUDIES The Art of Biblical Theology: Intertextuality Biblical Theology is really an art. Like other skills of this sort, it is not a matter of following rules (though there are certainly guidelines and techniques). Rather, it’s matter of…

by Rich LuskJune 6, 2004
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Biblical Theology

What is Biblical Theology: (Part 2) The Christotelic Spiral

Click HERE for Part 1 Reading Christotelically Jesus Christ is the heart of God’s plan for creation and history. There is no “hidden plan” or “hidden God” lurking behind Christ; rather, in and through Christ God has revealed himself and his intentions towards the world. In Christ, the Father has…

by Rich LuskJune 6, 2004
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Biblical Studies

What is Biblical Theology? (Part 1)

STORY THEOLOGY AND A THEOLOGY OF STORY Defining Biblical Theology What is Biblical Theology? How does it compare to other ways of doing theology, such as Systematic Theology? Geerhardus Vos suggested that whereas Biblical Theology draws a line, Systematic Theology draws a circle. That is to say, Biblical Theology is…

by Rich LuskJune 6, 2004
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Hebrews

Living by His Faith: Some Rough Thoughts on the Faithfulness of Christ

The gospels strongly imply Jesus lived by faith in the promise of his heavenly Father. How else can his prayer life understood? How else could he have wrestled through the Gethsemane experience? How else could he have committed himself into his Father’s care at death? How could Jesus have presented…

by Rich LuskJune 6, 2004
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John

John 3:16

John 3:16 is probably best-known, or at least, best-liked Bible passage in North America: “For God so loved the world, that he gave his only Son, that whoever believes in him should not perish but have eternal life.” This declaration of God’s love of the whole world is greatly comforting…

by Mark HorneJune 6, 2004

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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