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Biblical Chronology

Chronologies and Kings: Part 3

The chronology of the Kings of Judah and Israel can be divided into three periods with clearly defined boundaries. The first period begins with the death of Solomon and the accessions of Rehoboam in the south (Judah) and Jeroboam in the north (Israel). It ends with the deaths of Ahaziah…

by James B. JordanSeptember 22, 1991
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Art

Arts & Play, Part 1

Most modern people regard the arts as essentially decorative. They are hardly very important, as compared to business, politics, or religion. Yet, from a Biblical point of view, the arts lie close to the heart of human life. The universe that God created is itself an artistic masterpiece by the…

by James B. JordanSeptember 22, 1991
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Exodus

Chronologies and Kings, Part 2

Before we move into a detailed survey of the history and chronology of the kings of Israel and Judah, let us review the chronological information that leads from creation to the kingdom. This will be helpful both to new readers of these essays, and a reminder for those who have…

by James B. JordanAugust 22, 1991
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Biblical Chronology

Chronologies and Kings, Part 1

We have completed our overall survey of Biblical chronology, and now turn to a detailed examination of the Biblical information regarding the chronology of Israel’s kings. The first piece of chronological information we have regarding Israel’s kings is very cryptic, and it serves as an guide to the interpretation of…

by James B. JordanJuly 22, 1991
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Biblical Horizons

Book Review - To Take Place: Toward Theory in Ritual

Jonathan Z. Smith, To Take Place: Toward Theory in Ritual (Chicago: University of Chicago Press, 1987). Reviewed by Peter J. Leithart. The philosophes of the 18th century often attacked Christendom using the tools of anthropology and comparative religion. Rousseau contrasted the idyllic equality of primitive, natural peoples with the bondage…

by Peter LeithartJuly 6, 1991
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Biblical Horizons

Book Review: The Rise of Magic in Early Medieval Europe

Valerie I. J. Flint, The Rise of Magic in Early Medieval Europe (Princeton University Press, 1991). Reviewed by Peter J. Leithart. Valerie I. J. Flint, Professor of History at the University of Auckland, New Zealand, is refreshingly candid about her reasons for undertaking a study of The Rise of Magic…

by Peter LeithartJuly 6, 1991

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House of Wisdom

1 Chronicles 22 records a lengthy speech from David to his son Solomon. The very setup suggests an analogy with the book of Proverbs, in which Solomon gives instructions to his son the prince. For the Chronicler, Solomon learned to teach wisdom by receiving it from David. That formal hint…

December 1, 2016

Sources of Apocalyptic

I n his 1892 Lectures on the Apocalypse (29–30), William Milligan argues that “the symbolism of the Revelation is wholly and exclusively Jewish.” He illustrates: Even “the crown of life” in chap. i. 10 is not the wreath of the victor in the Grecian games, but the Hebrew crown of…

December 1, 2016

Limits of Pen and Tongue

S hakespeare's Sonnet 103 laments the limits of language to capture the thing it describes. “Look in your glass,” the poet says, and you will see a face that overwhelms “my blunt invention quite.” The reality dulls the poet’s lines and disgraces him. And it would be a sin to…

November 30, 2016

Church With Soul of America?

The paragraphs below are taken, with slight changes, from a column I wrote at Firstthings.com in July 2015. The questions are even more pressing since Trump's election. I mmigration has always roiled under the surface of American politics. It’s the price of being America, a land subdued by outcasts and…

November 30, 2016

A House by and for Nations

A fter David sinfully takes a census of Israel (1 Chronicles 21), the threshing site where he builds the altar that arrests the plague becomes the temple site (1 Chronicles 22:1). David begins preparations for the temple. First, he gathers the “strangers” (Heb. ger ), non-Israelite residents of the land…

November 29, 2016

Love Well What You Leave

S hakespeare's Sonnet 73 embodies the excessiveness of poetry. It’s possible to summarize the poem in a brief statement: “I’m getting old. I'll die. Love me while you can.” Why so belabor the point? One effect of belaboring through fourteen lines of iambic pentameter is to link aging with cosmic…

November 29, 2016

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