Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Thus says the Lord: “A voice is heard in Ramah, lamentation and bitter weeping. Rachel is weeping for her children; she refuses to be comforted for her children, because they are no more” (Jer 31:15). The Night of the Hunter belongs on every Christian’s Christmas list. My family has even…
One important part of Jesus's birth narrative is the presence of angels. The angel Gabriel appeared to the Virgin Mary, announcing that she would bear a son. And then, on the night Jesus was born, a whole host of angels appeared to the shepherds. Angels are mysterious creatures to us.…
I was settled nicely into my chair and listening to the conversation in an undergrad religion seminar, my last required course to graduate. Though a few Christians sat scattered around the room, the course itself was dedicated to poking holes in traditional understandings of the Bible: our readings deconstructed notions…
God’s symbols belong to Him and to His people. They are constantly at work in the world, including the world of film, music, painting, architecture, and other artforms. You cannot escape God’s symbols or the meaning He has woven into the created order. Artists use and borrow God’s symbols, whether…
For centuries, Christians identified Israel in the Old Testament as a single, literal ethnic group, often called “the Jews.” Even supersessionists – those who believed the Church superseded Israel – assumed the clear-cut, technical definition of “Israel” in the Bible is the ethnic group. However, a deeper dive into Genesis,…
Misreading Intent In the opening verses of Matthew 11, the reader is confronted immediately by John the baptizer who has been imprisoned since 4:12. John poses a question to Jesus, inquiring from prison as to whether or not he is Israel’s awaited Messiah or if they should anticipate another: “Are…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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