Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We have moved from death to new life, from Lenten darkness to Easter light. And while Easter Sunday may have come and gone, it's effects are continually with us. This season has brought with it several new relationships, events, and signs of growth for Theopolis. We have been networking with…
In The People's Work , a social history of Christian Worship, Frank Senn summarizes the developments of the medieval period with regard to the Eucharist. He begins by challenging the assumption that medieval society was held together by “the church.” He notes that the church was often divided and conflicted,…
The structure of the Bible resembles something which was grown rather than built, composed rather than assembled. Its employment of “structure-as-sign” at every level from micro- to macrocosmic leads to the conclusion that a hermeneutic worthy of Scripture requires not only training in history, art and music but also the…
For some in first-century Israel, Easter was anything but good news. It was a terrifying surprise. For the rulers and powers that put Jesus to death, the idea that He had been raised by some power beyond their control was chilling. Early in Luke’s gospel, we're told that Herod thought…
Simon Peter went up, and drew the net to land, full of large fish, a hundred and fifty-three; and although there were so many, the net was not torn. (John 21:11) This is one of those texts in the Bible that many people puzzle over. It is not a puzzle…
God is not mocked, Paul says. God is mocked, says Matthew. Who’s right? The two are in perfect harmony, but to see that, we need to run through the passage again. We’ll see that at every point, the mockery is being turned against the mockers. At every point, mockery is…
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K risten Thompson devotes several pages of her Apocalyptic Dread , a study of apocalyptic in contemporary film, analyzing Spielberg's 2005 remake of War of the Worlds . She points to the “film’s extensive references to 9/11 and terrorism as the new marker of dread in the twenty-first century.” She…
F elecia Wright McDuffie's To Our Bodies Turn We Then is a study of Donne's understanding of the body as “word and sacrament.” Drawing from Donne's poetry, sermons, and prose writing, she summarizes Donne's view of the human body as created, fallen, redeemed, and recreated. All along the way, McDuffie…
P utting “film noir ” and “musical” in the same sentence may seem absurd. If any film genre is sunlight and sentiment, seething with clappy optimism, it's the musical. And noir is something different. Sheri Biesen's Music in the Shadows shows that the two forms have cohabited for decades: “The…
W ho teaches your U.S.A. children how to choose their temple? What to love enough not to think two times?” These questions are posed in the broken English of Remy Maranthe, one of the Wheelchair Assassins who populate David Foster Wallace’s Infinite Jest . After Canada is forced into the…
C J Labuschagne points out in his Numerical Secrets of the Bible that “Exod 39:32–43 tells how the Tabernacle with all its equipment was presented to Moses, who inspected all the work and saw that the craftsmen had done their work according to the command of the Lord, and he…
C J Labuschagne ( Numerical Secrets of the Bible ) highlights the use of 11-fold literary patterns in the Pentateuch. The creation account, for instance, uses the formula “and God said” eleven times, concluding with the creation of Eve: “This coherence is found also in the eleventh divine utterance in…
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