Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Why there is more to Jephthah than meets than eye It was not that long ago that I realized the Jephthah-story and the Jesus-story were basically the same story. Sounds crazy, I know. But here is a one-paragraph synopsis of both: The people of God have gone their own way,…
G.K. Chesterton famously said that the Gospels don’t reveal Jesus’ mirth. It’s true we never catch Jesus laughing. But can we believe He never did? I don’t think so. Laughter is human, and Jesus was fully human. Jesus promised that those who mourned would laugh. He mourned; would He not…
Matthew 2 has all the elements of an exodus story. There’s a murderous king, who slaughters Jewish babies. There’s a infant who will be Israel’s future deliverer, saved from the murderous king so He can later return to save His people and lead them to the Promised land. There’s an…
The calendar of Israel was primarily theological, centered on commemorating the salvific acts of God, but also agricultural, celebrating the creation-restoring effects of those salvific acts. The feasts of the first month celebrated the reviving of the world in the Spring, and typified the cutting off of the Savior in…
The chiastic shape corresponds to the shape of human life. This should not surprise us, because we are made in the image of God, and God is manifest in Word and Spirit. If we are living epistles, our lives will look a bit like the literary shape of the books…
Back in January, Venkatesh Rao wrote a fascinating post on the Ribbonfarm blog, discussing different forms of models of narrative. Engaging with Ursula LeGuin’s talk ‘The Carrier Bag Theory of Fiction’ , Rao explores her contrast between the (male) ‘hero narrative’ and the (female) ‘carrier-bag story’, and suggests a third…
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Charon Ross offers a brilliant analysis of rock concerts as ecstatic experiences ( Gifts Glittering and Poisoned , 132-4). The concert is a carefully orchestrated symbolic constellation “designed to enable the spectator to have experiences of ecstasy so wonderful and powerful that they are difficult to capture with words. Euphoria…
What Do Pictures Want? seems an odd title for a book on picture theory. WJT Mitchell intends his title to highlight the “double consciousness” that we have toward images. “why is it that people have such strange attitudes toward images, objects, and media? Why do they behave as if pictures…
Detached from the Eucharistic liturgy, preaching is at sea. Preachers announce the gospel and call our people to faith. We also want to give them something to do. There are dangers on both sides: We may so much emphasize the grace of God that we provide sophisticated excuses for passivity…
A year ago, Sarah Ditum wrote a piece for The New Statesman that compared abortion with organ donation, pointing out that the demands on a pregnant woman's body are far greater than the demands laid on organ donors: “giving away a bagful of gore or a chunk of liver that…
According to Fintan O'Toole's NYRB review , James Shapiro's The Year of Lear helps to unravel some of the mysteries of that most haunting of Shakespeare's tragedies. O'Toole nicely captures why the play is so haunting: “King Lear is not apocalyptic, it is far worse. Instead of deserved damnation and…
Geert Buelens's Everything To Nothing offers a European-wide review of the poets writing before and during World War I. It is a tour de force , recalling forgotten poets to vivid life and setting better-known poets in a new European context. The poets, he argues, were not only observers but…
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