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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Theology

Feasting with Elisha

After Elijah’s battered and depressed howling in the wilderness it must have seemed like the new prophet came eating and drinking. Which is a pattern we see again in the New Testament—John is explicitly identified with Elijah (Luke 1.17, Matthew 11.14), howling the truth in the wilderness that the people…

by Tim SuffieldJuly 19, 2022
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Colossians

Lie Not To One Another

Reading Robert Conquest’s biography of Stalin 1 has opened new lines of meditation on Paul’s command in Colossians 3:9. But before turning to that, let me briefly indicate what Paul is not saying. He is not saying that there is no such thing as righteous deception, such as Jael practiced…

by Ralph Allan SmithJuly 14, 2022
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Amos

Book of the Lion

You won’t find wild lions today in Israel. But lions used to range much more widely than they do now, and in biblical times they were a menace that shepherds in Israel had to contend with. David did as a shepherd boy, and Amos—who “ was among the sheepbreeders of…

by Daniel HoffmanJuly 12, 2022
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Ezekiel

An Uncool Day

I would like to remedy a flaw for English speakers in the book of Genesis. A flaw that may seem innocuous, but we must remember where the devil lives...in the details. If we are to fear the Lord, it behooves our translation committees to ensure that the fearfulness of God…

by Matthew CoreyJuly 7, 2022
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Literature

You Become What You Behold

While reading at my son’s baseball game this week, a mom from our school approached me and asked if I was reading Dante. I wasn’t, but our sons are both reading Divine Comedy in their sophomore literature class, so it was a reasonable question. What unfolded was a quick conversation…

by Mandi GerthJuly 5, 2022
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Deuteronomy

Torah as Testimony (Part 3)

In the first two essays in this series, I addressed the question of how the nations would learn about Israel’s Torah, in the second essay especially emphasizing the aesthetic aspects of Israel’s testimony. For we naturally wonder: How would people in Mesopotamia or Egypt, not to mention the rest of…

by Ralph Allan SmithJune 28, 2022

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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