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Luke

Table Talk

Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…

by Peter LeithartApril 19, 2016
music-violin
Biblical Theology

A Musical Case for Typological Realism, (Part 4)

Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…

by Alastair RobertsApril 14, 2016
John

Jesus' Burial Clothes

John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…

by James B. JordanApril 12, 2016
clock
Biblical Theology

A Musical Case for Typological Realism, (Part 3)

Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…

by Alastair RobertsApril 7, 2016
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Biblical Theology

A Musical Case for Typological Realism, (Part 2)

As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…

by Alastair RobertsMarch 31, 2016
biblioteca-vasconcelos-crop
Biblical Theology

Systematic Typology (Part Three)

The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…

by Mike BullMarch 29, 2016

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Yahweh the Teacher

Genesis 1 presents a macro-creation, Genesis 2 a micro-creation. The latter follows the former, for humanity is micro-cosmic. The Spirit hovers over waters, and water arises to water the ground. God speaks light into existence, and by the same breath He makes Adam a living soul. Day 1. Yahweh forms…

April 8, 2015
Liturgy

Omnivorous Liturgy

We stand, we kneel, we sit, we stand, we kneel. The postures of liturgy write “upon the bodies of those who perform it frequently a habit of acting as an unworthy recipient of a prevenient gift” (Paul Griffiths, Decreation , 232). By developing the habits that the liturgy impresses on…

April 7, 2015

The Primacy of Pattern

“When we do science,” writes William Dembski in his Being As Communion (85), “we don't encounter matter in its raw state nor do we encounter sensory experiences in their raw state. Rather, we encounter certain patterns to the exclusion of others. In other words, we encounter information. The material and…

April 7, 2015

World-Making Word

The Creator God is a speaker, who speaks to form the formless, dark, and empty void into the structured and glorious cosmos. As images of the world-making God who speaks, we also make worlds with words. Genesis 1 provides a paradigm, an allegory of world-making words. In the darkness, words…

April 7, 2015

When Stars Fall

NT Wright has insisted over the years that the apocalyptic language of the gospels (Matthew 24; Mark 13; Luke 21) doesn't refer to the end of the space-time universe but to the end of a socio-political order. Edward Adams dissents in his 2007 The Stars Will Fall From Heaven .…

April 6, 2015

More Than Anxiety

Laura Pelaschiar's forthcoming Joyce/Shakespeare collects essays that explore the various facts of Joyce's use, misuse, criticism, and combat with Shakespeare. She observes that “Shakespeare’s existence in Joyce is tentacular and functions on many different levels: cultural, structural, political, thematic, contrapuntal, imitational, quotational/misquotational, stylistic, lexical, psychological, or psycholiterary.” Joyce's reception of…

April 6, 2015

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