Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In my last essay, we saw how consumer culture has gutted the familial category necessary to understand the church. When a consumer visits a church, he expects another service-provider, such as a hospital or a restaurant. He doesn’t understand the role of men in ministry, and thus, not the role…
First time visitors to our church sometimes express their surprise that children, even the youngest, participate with their parents in the entire worship service. Many congregations created an expectation for the parents (and children) of Sunday School or Child Care being available during the entire worship service or during the…
Quantifying the Love of God “For God so loved the world that he gave his only begotten son, that whosoever believes in him should not perish, but have everlasting life” ~ John 3:16 This most beloved verse in all the Bible was spoken by the Savior himself to Nicodemus. As…
While The Lord’s Prayer enjoys wide recognition throughout the Church, its richness and depth may be unrealized due to a lesser familiarity with, what I will argue is, its primary inspiration: the Tabernacle. There, Christ’s intent can rightly be discerned. The Prayer’s methodological correction to the Jews and Gentiles wasn’t…
The Consumption of the Covenant Idea of the Church Last time we saw consumerism, having canalized its attitudes in our culture, shapes what the consumer sees when he or she steps into a church. Here, we’ll see how it has eviscerated the covenant and familial ideas necessary to understand the…
The ignoble Jayber Crow can stir your appetite for the noble. It’s the simplicity of a good ol’ Port William boy that builds the charm of the book. In fact, the elitists in Port William receive the harshest blows and severest outcomes, as they should. But before delving into the…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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