Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The drink offering or libation ( nesek ) is mentioned in only three places in the book of Leviticus. When the sheaf of the firstfruits was waved before the Lord, a grain offering was to be burned, along with "its libation, a fourth of a hin of wine [approx. one…
When I became a Calvinist it wasn't long before I learned that John Owen’s The Death of Death in the Death of Christ was regarded as the masterful treatise on what is known as "Limited Atonement"--the "L" in the TULIP mnemonic device for "the five points of Calvinism." This wasn't…
One of the advantages of paying very close attention to the details in the Bible, especially chronological and genealogical details, is that they can shed light on situations that don’t seem to make much sense apart from them. One such situation is that of Bathsheba. It appears that Bathsheba willingly…
The Feast of Ingathering in the seventh month of the Sinaitic calendar is also called the Feast of Sukkoth, of Booths, also called Feast of Tabernacles. I have usually called it by that last phrase, and it is the most common today; but there is a problem: A tabernacle is…
When Matthew’s Gospel was first read aloud to the fledgling Christian congregations, the experience must have been like seeing the words “A long time ago in a galaxy far, far away…” appear afresh on cinema screens in 1999. Yet, unlike The Phantom Menace, the New Testament did not disappoint. Why?…
Fragmentation and integration are phenomena which artist Makoto Fujimura feels bodily, and about which he is concerned profoundly. What do these mean for him? How may we draw his insights into this ongoing consideration—itself integrative—of integration in a fragmented world? Thus far I have been acquainting you with matters already…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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