Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We have moved from death to new life, from Lenten darkness to Easter light. And while Easter Sunday may have come and gone, it's effects are continually with us. This season has brought with it several new relationships, events, and signs of growth for Theopolis. We have been networking with…
In The People's Work , a social history of Christian Worship, Frank Senn summarizes the developments of the medieval period with regard to the Eucharist. He begins by challenging the assumption that medieval society was held together by “the church.” He notes that the church was often divided and conflicted,…
The structure of the Bible resembles something which was grown rather than built, composed rather than assembled. Its employment of “structure-as-sign” at every level from micro- to macrocosmic leads to the conclusion that a hermeneutic worthy of Scripture requires not only training in history, art and music but also the…
For some in first-century Israel, Easter was anything but good news. It was a terrifying surprise. For the rulers and powers that put Jesus to death, the idea that He had been raised by some power beyond their control was chilling. Early in Luke’s gospel, we're told that Herod thought…
Simon Peter went up, and drew the net to land, full of large fish, a hundred and fifty-three; and although there were so many, the net was not torn. (John 21:11) This is one of those texts in the Bible that many people puzzle over. It is not a puzzle…
God is not mocked, Paul says. God is mocked, says Matthew. Who’s right? The two are in perfect harmony, but to see that, we need to run through the passage again. We’ll see that at every point, the mockery is being turned against the mockers. At every point, mockery is…
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Some of the following notes were taken from a longer introduction to Julius Caesar posted on this site some months ago. INTRODUCTION For several generations, Julius Caesar has been a staple of high school English literature, coming from a period when education was rooted in Greek and Roman classics and…
Paul Nickell’s 1951 Westinghouse Studio One production of Coriolanus is fast-paced, well-acted, and, making allowances for technological weaknesses, interesting and fun to watch. It is also very unlike the play that Shakespeare wrote. The play begins with plebs rioting (or milling around) in the streets of Rome, complaining about the…
The stage history of Coriolanus is as interesting as the play itself. It has provoked riots and demonstrations, and has been used as a way of preventing riots and demonstrations. Here are a few excerpts from RB Parker’s excellent introduction to the play (The Oxford Shakespeare): RIGHT-WING INTERPRETATIONS ?In reaction…
Glory and Song, 2 Chronicles 5:1-14 INTRODUCTION As we close out this brief series on worship, we will be looking at two separate but related issues: the glorification of worship, and music in worship. These are related in several ways: Music is itself a means of enhancing or glorifying worship;…
INTRODUCTION For Elizabethans, Rome was not only an ancient power but a very real contemporary power. The plays of Shakespeare that are set in Rome and those derived from Roman models often work in both registers, bringing papal Rome into plays set in ancient times. I will look at some…
I wonder: If we take Shakespeare’s Julius Caesar as a play about both ancient and Papal Rome, then the point seems to be that ecclesiastical imperialism is unavoidable, that it will take its vengeance and return in more virulent forms. The “puritans” like Cassius attempt to cut the head off…
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