Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When someone expounds the way of salvation found in the Westminster Confession and Catechisms and in the easily-accessible writings of the Reformed heritage, he often finds him embroiled in a debates about the covenant of works and the Mosaic Covenant. One is “proven” to be aberrant by allegations that one…
The ultimate condemnation of a position in Reformed circles is to show that it “leads back to Rome.” Indeed, one gets the feeling that Rome is a worse destination for a Presbyterian than even hell itself. The accusation of Rome stings deeply, of course, because it means that all the…
One of the odd features of Michael Horton’s version of Covenant theology is his interpretation of the covenant God made with Abraham 1 in Genesis 15. According to Horton, The very way in which God made the covenant with Abraham (putting him to sleep; walking through the torn animals by…
What was I trying to do, when I wrote my book on Mark’s Gospel ? Fundamentally, I wanted a book that would change readers by making them better readers of the Gospel of Mark. My ideal reader is not someone who goes to the book to use as a resource…
Why do we need sacraments? According to the Westminster Confession, sacraments were instituted by Christ “to confirm our interest in him” (27.1), “to strengthen and increase” the “faith” of those within the Covenant of Grace and “to distinguish them from those that are without” that covenant (Westminster Larger Catechism, #162).…
In Isaiah 5:1-7, we have a typical covenant lawsuit, in which the Lord accuses his people of rejecting his grace and mercy. It is not my intention here to exegete the entire passage, or to look at the way the vineyard image used here serves as a metaphor in other…
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Prior to the 18th century, writes Mark Evan Bonds, instrumental music was considered inferior to music that accompanied words ( Wordless Rhetoric ). According to the artistic theory developed by Johann Georg Sulzer, “instrumental music . . . can be pleasing and at times moving, but its ‘meaning' is relatively…
Paul's speech on the Areopagus is the second of three programmatic speeches in Acts. Robert Tannehill notes ( The Narrative Unity of Luke-Acts ) that they trace the progression of Paul's mission: “Careful planning is indicated by the fact that we have three different types of speeches addressed to three…
In his now-classic Sources of the Self (143-4), Charles Taylor observes that Descartes is “in many ways profoundly Augustinian: the emphasis on radical reflexivity, the importance of the cogito, the central role of a proof of God's existence which starts from ‘within,' from features of my own ideas, instead of…
Mark Evan Bonds's Absolute Music is a study of 19th-century debates concerning the purity or absoluteness of music, the question of the possibility and/or propriety of segregating music from the rest of the world, music as a sheer aesthetic experience, an experience of pure beauty or simple form. It's a…
Robert Tannehill points out in the second volume of his Narrative Unity of Luke-Acts that Acts 16-19 depicts a recurring “public accusation type-scene.” Prior to chapter 16, the public accusations against Paul and his associates are not highlighted. After chapter 16, they are. “In 16:20-21 Romans accuse the mission of…
Matthew B. Crawford argues in The World Beyond Your Head that things discipline our attention and thus make genuine knowledge of the world possible: “ things that can serve as a kind of authority for us, by way of structuring our attention. The design of things—for example, cars and children’s…
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