Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…
Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…
In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…
For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…
How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…
Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…
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Rosenstock-Huessy’s essay “Man Must Teach” begins as an analysis of Augustine’s dialogue with his son Adeodatus, the De Magistro , and then broadens out to a treatment of teaching as a paradigmatic social relation, as well as a treatment of the social construction of time. One of the key moves…
“There is a subtle intrigue going on between the generations,” writes Otto Kroesen in Planetary Responsibilities (120). “It is an intrigue of separating from, and inheriting, and convincing, and letting go of each other.” The recurring question is “whether only one generation can be the owner of the truth and…
The verb deiknuo , “show,” is used eight times in Revelation. Four of the uses are at the seams of the book, at the beginning of each new in-Spirit vision: 1. Jesus has been given to show John what must shortly take place (1:1). 2. When John sees a door…
As long as the apostles were alive, writes Robert Jenson, churches could check their understanding of the gospel by asking the living apostles: “Is this the gospel?” Once they died, the church needed something to mediate the apostolic witness: “her self-identity as the church of the apostles would not be…
Revelation begins (1:1, 19) with the announcement that God showed His bondservants what will soon “happen” or “become” ( ginomai ). It ends on the same note (22:6). What is it that happens? Judging from the scattered twenty-six uses of the verb ginomai , the happening that God unveils is…
When the seventh bowl is poured out on the air, the world collapses. The throne of God comes to earth, flashing and thundering and shaking the earth until everything that cannot stand collapses. Cities fall, islands run away, mountains disappear. And hailstones weighing a talent ( talantiaia ) fall to…
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