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Church Calendar

The Good Friday Paradise Party

I grew up in the 1950s. This was before the "Sixties" and the democratization, informalization, and general cheapening of the church and her worship. Ministers were Father Donovan, Pastor Eckhart, Reverend MacPherson, Mister (Episcopal) Parker, and Brother Smith. Liturgical speech was high language, sounding kind of like the King James…

by James B. JordanMarch 25, 2016
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Hermeneutics

A Musical Case for Typological Realism, (Part 1)

Metaphor exerts a surprisingly powerful influence within our thinking. Although it is easily dismissed as little more than a figure of speech, when we attend more closely to the ways in which we use it, metaphor’s importance swiftly becomes more apparent. Although many of our metaphors have become quite invisible…

by Alastair RobertsMarch 24, 2016
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Creation

True Science

What is a tree, scientifically speaking? A mere googling gives the following answer: “a woody perennial plant, typically having a single stem or trunk growing to a considerable height and bearing lateral branches at some distance from the ground.” We can increase detail by describing its family, genus, species and…

by Remy WilkinsMarch 22, 2016
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Church Calendar

Food for Thought from Ethiopia

The majority of Western evangelical Christians rarely, if ever, fast as a form of spiritual discipline. In our culture, fasting is more connected with dieting than worship, the other side of our deeply ambiguous fascination with food. Food is everywhere. We eat more than ever before, at greater speed, and…

by Sam BusseyMarch 17, 2016
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Biblical Theology

What is Systematic Typology? – Part Two

A Grammar of Creation An understanding of the visual-musical language of the Bible must begin with Genesis 1. This is fortunate, because when explaining biblical types to academics, as opposed to children, one is repeatedly forced to start from scratch. From birth, a healthy child is attuned to rhythm and…

by Mike BullMarch 15, 2016
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Art

Wall-E and the New Creation

In an inverse Eden, a land laid waste, one works alone tending the trash. There are none like him in all the earth, inquisitive, playful and most drawn to those mysterious, dancing bipedal creatures who lost earth and left it to go wandering the vast wilderness of space. Humans have…

by Remy WilkinsMarch 10, 2016

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Life in a Medieval Parish

“Parochial Christianity,” writes Mark Greengrass ( Christendom Destroyed ), “was more than a religious experience. It was a set of rights to benefices which were the key to monopoly revenues (the tithe, collected in various forms) in which patrons, collators and clergymen all had interests. And behind every parish church…

June 5, 2015

Crusoe Errant

Robinson Crusoe suffers enormous hardship before he ever gets to his island, and the hardship seems disproportionate to the wrong he commits. Is running off to sea against his father's wishes such an enormity? In his classic study of Defoe and Spiritual Autobiography , GA Starr explains that Robinson “defies…

June 4, 2015

Restorative Justice

Howard Zehr makes clear in his Little Book of Restorative Justice that “restorative justice” isn't a panacea. It doesn't pretend to replace the the legal system, nor is it necessarily opposed to retribution (12-13). Primarily, restorative justice is an effort to put the principle actors back at the center of…

June 4, 2015

Gift of Work

RJ Snell's Acedia is about acedia. But before he gets to his extended analysis of that vice, he offers a superb, brilliantly brief, ontology and anthropology, drawing on the resources of Trinitarian theology and the book of Genesis. Among other things, Snell emphasizes the gift that is human work, a…

June 4, 2015

On a cloud

John sees one like a son of man on a cloud, holding a sickle (Revelation 14:14). We assume that He's traveling down to reap the harvest, but is that correct? The original for this son-cloud combination if Daniel 7:13, where it is clear that the Son of Man comes up…

June 4, 2015

Ideological art

D avid Goldman ( It's Not the End of the World, It's Just the End of You ) argues that “modern art is ideological, as its proponents are the first to admit. It was the ideologues, namely the critics, who made the reputation of the abstract impressionists, the most famous…

June 3, 2015

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