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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Federal Vision

The Righteous Judge

God is a righteous judge, And a God who has indignation every day. If a man does not repent, He will sharpen His sword; He has bent His bow and made it ready (Psalm 7.11, 12). David’s inspired lyrics do not sound very encouraging to modern ears–especially to modern Christian…

by Mark HorneJune 7, 2003
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Luke

The Justification of the Good Samaritan

The story of the Good Samaritan (Lk. 10:25-37) is one of the best known and most loved of Jesus’ parables. I am not going to attempt to exegete the passage, as that has been done admirably and ably by others. Rather, I want to briefly examine what bearing the passage…

by Rich LuskJune 7, 2003
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1 Corinthians

The Grace of Judgment According to Works

In Romans 2.6-16, Paul writes, He will render to each one according to his works: to those who by patience in well-doing seek for glory and honor and immortality, he will give eternal life; but for those who are self-seeking and do not obey the truth, but obey unrighteousness, there…

by Mark HorneJune 7, 2003
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Matthew

The Extra Mile: Matthew 5:38-42

It was still dark as David approached the crest of the little ridge. The eastern horizon was not even gray. It was early. But he knew this trail well. Every morning before dawn and every evening before dark, he would walk down to the well and carry water back to…

by Jeff MeyersJune 7, 2003
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Romans

Romans and God's Covenant Loyalty

The theme of Romans is the righteousness of God (Rom. 1:16-17). That is to say, Romans is something of a theodicy. Paul is defending God’s covenant faithfulness, particularly in light of Jewish unfaithfulness. How does it work? Without getting into exegetical details, we can still sketch out the big picture.…

by Rich LuskJune 6, 2003
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Federal Vision

Putting the New Perspective into Perspective: Some Thoughts on Second Temple Judaism

The New Perspective on Paul (NPP) is a loosely defined movement held together primarily by a common understanding of Second Temple Judaism. All NPP theologians basically adhere, with varying degrees of intensity and consistency, to Ed Sanders’ claims with regard to the nature of pre-70 A.D. Judaism. Sanders has sought…

by Rich LuskJune 6, 2003

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Monster to Music

In Rune 40 of the Finnish epic, Kalevala , the hero, Wainamoinen, is sailing with his friends to Pohjola, where he intends to recover the Sampo, a talisman of good luck and extraordinary, mysterious power. No one today quite knows what the Sampo was, but many of the episodes of…

April 28, 2015

Chaucer and the Greeks

Chaucer, like Shakespeare after him, set some of his poems in ancient Greece. The “Knight's Tale” takes place in Athens, ruled by the same “Duke” Theseus who rules Athens in Midsummer Nights Dream . Troilus and Cresyde is a Trojan love tragedy. Neither of these works, however, shows much deep…

April 28, 2015

Greece in the English Renaissance

According to C. S. Lewis ( English Literature in the Sixteenth Century , 27-28), English humanists were most interested in style, but the style was mostly Latin: “Greek was given abundance of ‘mouth honor,’ but only the minor Greek authors (Plutarch, Heliodrous, Chilles Tatius, the Anthology) were really relished. Greek…

April 28, 2015

Make Love and War: The Knight's Tale

Emily, the lady-love of Chaucer's “Knight's Tale,” the first of the Canterbury Tales, appears in a garden, and the poet describes her as if where were part of the garden. She is Eve in Eden. But this is no Edenic world. The men who see her are locked out of…

April 28, 2015

Universal Tragedy

Tragic stories are fall stories. Whether through moral wrong or through some inadvertent hamartia , the tragic hero falls from a high place. Others are engulfed in the tragedy to one extent or another, but not everyone. Those who watch can experience the catharsis of pity and fear by watching…

April 28, 2015

Invention of Allegory

C S. Lewis describes the formation of medieval allegorism in his classic Allegory of Love . He begins by distinguishing between an allegorical and a sacramental or symbolic turn of mind. Allegory begins, he says, with “an immaterial fact, such as the passions which you actually experience” and finds ways…

April 27, 2015

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