Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I'm afraid of messing up. Not just of messing up in general, but of messing this up—the big This that is the story that is my life, the story that God is attempting to tell with me as His material. The question casts its shadow over all my decisions. Can…
Jesus’ letter to Pergamum mentions Balaam and Balak (Revelation 2:14), and that is a signal that the whole message is running along the lines of Numbers 22-25. The death of the high priest is a sacrificial moment in the life of Israel. According to the rules of the cities of…
As you come to be joined in marriage today, I want to take a moment to focus on one important dimension of what it means to be married as Christians: that is as those who know Jesus and are being made into His likeness. This is a glorious day, full…
When Jesus was entered into Capernaum, there came unto him a centurion, beseeching him, saying, “Lord, my servant lieth at home sick of the palsy, grievously tormented.” Jesus saith unto him, “I will come and heal him.” The centurion answered and said, “Lord, I am not worthy that thou shouldest…
Philosophers have measured mountains, Fathom'd the depths of seas, of states, and kings, Walk'd with a staff to heaven, and traced fountains But there are two vast, spacious things, The which to measure it doth more behove: Yet few there are that sound them; Sin and Love. The Agonie –…
The third chapter of Luke famously opens with a list of mighty men, seven mighty men, potential heroes of the Mediterranean world. Beginning with Tiberius Caesar and Pontius Pilate, passing on to Herod the Tetrarch and his brothers, and ending with two High Priests, Luke says that the word of…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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