Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Blessing of the Father The narrative of the Exodus makes it clear that Yahweh is Israel’s Father. Moses is told to declare to Pharaoh that “Israel is my firstborn son, and I say to you, ‘Let my son go that he may serve me’” (Exodus 4:22-23). In contrast to…
When reading the Old Testament, the believer faces two dilemmas. First, there is a seemingly sharp discontinuity between the universal proclamation of the gospel to the whole earth and God’s singling out of the nation of Israel. Second, the New Testament says of Jesus that “there is no other name…
John 17 contains the longest prayer that we have from Jesus, and it shows us the intimate relationship between the Father and the Son in a way that few passages do. The prayer lays out the chiastic pattern noted by Athanasius (God became man so that man could become God),…
The following meditation on the incarnation is paraphrased and quoted from Karl Barth, The Doctrine of Reconciliation (Church Dogmatics, Vol. 4, Part 1) , pp. 185ff. In the incarnation, the eternal Son of God makes His way into a far country, and takes on the form of a servant. “But…
Peter says "baptism saves you" (1 Peter 3:21). Does the New Testament teach that "baptism justifies you"? I think the answer is Yes. That's a controversial answer, and demands some defense and explanation, but first some critical qualifications. No New Testament text states "baptism justifies you," so my argument will…
In his THI article “ Son of David, Son of Abraham ,” Peter Leithart notes that Matthew's genealogy “contains a summary of redemptive history.” This statement is only too true and one that deserves further elucidation. Biblos genese ō s. The first two words of Matthew's Gospel are usually translated…
Showing page 182 of 309
Showing page 12 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
