Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
A Look at John 1.17 For the law was given through Moses, but grace and truth came through Jesus Christ. The above quotation is John 1.17 and comes from the New King James Version of the Bible. It is quite similar to the original translation in the old King James…
And the Child continued to grow and become strong, increasing in wisdom; and the grace of God was upon Him. There is nothing faulty in this translation (New American Standard Bible); Jesus was the recipient of the grace of God His Father from whom He is eternally begotten and with…
When Paul wrote to Philemon asking him to forgive his runaway slave, Onesimus, he gave Philemon an interesting perspective on how God used Onesimus’ action to bring about his conversion: For perhaps he was for this reason parted from you for a while, that you should have him back forever,…
Adam’s good works were acceptable to God. He could do them and God would receive them. Our own “good” works, our very best works, require the forgiveness of God and the continual intercession of Jesus Christ due to their impurity. Thus, it is appropriate to describe God’s covenant with Adam…
In Mark’s Gospel we read: “And the scribes who came down from Jerusalem were saying, ‘He is possessed by Beelzebul,’ and ‘He casts out the demons by the ruler of the demons’” (3.22). Jesus replied in part, “Truly I say to you, all sins shall be forgiven the sons of…
A Primer for Church Members on the Nature and Functions of the Body of Christ Introductory Note: I intend this paper to serve as something of a “user’s guide” for church members, though church leaders may also find it valuable in developing vision statements for their local bodies. I have…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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