Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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Jonathan Ree’s delightful I See A Voice glances at Enlightenment-era efforts to work out analogies between color and musical harmonies. Newton’s Optics was key. He argued that “just as all different tones can be located on a single scale running from the highest to the lowest pitch of audible sound,…
We don’t hear sounds, Heidegger said. That’s an abstraction. What we hear are things making sounds - “the creaking wagon, or the motor cycle . . . the column on the mark, the north wind, the woodpecker tapping, the fire crackling” (quoted in Jonathan Ree, I See A Voice ,…
Voice has often been seen as expression, as the coming into public space of something within. Given its reliance on breath, it was easy to conclude that voice is the expression of the soul. According to Ree ( I See A Voice ), it was Herder who broke through this…
Diane Thompson concludes her essay in Dostoevsky and the Christian Tradition with this superb description of the place of God’s Word in the words of Dostoevsky’s novels, and his characters: “Dostoevsky’s feeling for the dynamic aspect of the Logos was exceptionally strong, as was his gift for making it a…
Consciousness enters the world and the stones remain stones and the sun the sun. Still existence becomes completely different when consciousness arises, Bakhtin argues in Speech Genres . This happens become the coming of consciousness is the coming of “the witness and the judge” (137). “A stone is still stony…
Nabokov didn’t much like Dostoevsky. What interests him in literature is “enduring art and individual genius,” and from this viewpoint Dostoevsky is mediocre: “with flashes of excellent humor, but, alas, with wastelands of literary platitudes in between” ( Lectures on Russian Literature , 68). His characters are mentally unbalanced, his…
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