Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When Jesus says in the farewell discourse that his disciples know the way to where He is going, Thomas replies: “We do not know where you are going. How can we know the way?” Jesus answers Thomas, but He gives Thomas more than he asked : “I am the way,…
Through the pandemic we learned a lot about infections, how to catch them, what’s contagious, how to protect yourself from getting the infection. I learned a lot of new terms, like “social distancing,” “ppe” (personal protective equipment), N95 masks, and so on. We’ve seen that people are willing to go…
In Genesis 9:20, Noah is called “a man of the soil”. This phrase is a bit of a shock in the Hebrew; though it’s made up of two very common words - 'ish is “man” and 'adamah is “soil” or “ground” - these two words are never used together before…
Harold Bloom’s discussion of Twelfth Night in his Shakespeare: The Invention of the Human is, as would be expected, insightful. It displays his deep love of poetry, and includes some truly eloquent descriptions of Orsino: “that sublimely outrageous lover of love” and “amiable erotic lunacy.” Bloom is worth reading just…
There have been times when Evangelicals, in an attempt to be clear about the errors of Rome and Constantinople concerning Mary, have been so denigrating of the mother of our Lord that they sounded more like cut and pasted lines from the Babylonian Talmud than they did disciples of Mary’s…
Awe is the phenomena experienced when one looks up and lights upon the height, majesty, and mystery of the California Redwoods. It appears the trees pierce heaven itself. Among these giant organisms are the Sequoia–while they are shorter in form, they reserve a width that spans an automobile. These trees…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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