Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There are many legitimate reasons to lament the divided state of the church. Fleshly pride, theological hubris, sectarian rivalries are each in their own ways modern versions of the Galatian heresy, refusing table fellowship with brothers and sisters for whom Christ died. And denominations have frequently played the same role…
Though Bogumil Jarmulak was not able to deliver his lectures on Jurgen Moltmann due to flight delays, he preached at Trinity Presbyterian Church on Sunday morning, June 14. He encouraged the church in how to deal with misery in this life, and pointed them to their only hope in life…
Connecting with the past within the present is a complicated endeavor. One of the most immediate challenges facing us is that of ensuring that, as Christians, our use of the past is undertaken in service of present faithfulness. The past is not a realm to which we retreat, but a…
Dear friend of Theopolis, Before he attended the Theopolis course on Holistic Mission during Easter term, 2014, Jonathan Sedlak lived with his family in the quiet, comfortable Milwaukee suburb of Slinger, Wisconsin. An intensive week in Birmingham changed all that. Listening to missionary Wes Baker and hashing over readings and…
“What is in the nature of these materials?” The Bauhaus, founded in Germany in 1919 by architect Walter Gropius, had a profound influence in every area of design, from graphics and typography to clothing, furniture and architecture. The institution was not so much a style as a method, its philosophy…
Russell Richey's Denominationalism collects some of the most important essays on its titled topic. The authors are a who's-who of 20th century American religious history: Winthrop Hudson, Timothy L. Smith, Sidney Mead, Richey himself, H. Richard Niebuhr and Martin Marty. Some are broad synthetic studies; others are more granular studies…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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