Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stories, frankly all human stories are practically always about one thing aren’t they? Death. The inevitability of death. . . . “There is no such thing as a natural death. Nothing that happens to man is ever natural, since his presence calls the whole world into question. All men must…
Matthew is organized around 5 discourses, which trace out the history of Jesus as a recapitulation of the history of God and Israel in the Old Testament. Jesus first speaks as a new Moses, instructing His disciples on a mountain about a righteousness that surpasses the righteousness of the scribes…
The fall of the Sethites in Genesis 6 is the third fall of mankind, or the third degree of Adam’s original fall. Adam sinned in a Garden against his Father by stealing something he was supposed to wait to obtain. (“Every tree shall be food for you” Genesis 1:29.) Cain…
The recent fantasy film Noah and a slightly related blog comment by my friend Douglas Wilson have stirred up again the question of whether the “sons of God” in Genesis 6 who married the “daughters of men” were fallen angels or the priestly line of Seth. Doug argues for angels,…
The prophecy of Jude concerns apostasy. An illustration of apostasy and its consequences is found in verse 6, which the New American Standard Bible translates this way: "And angels who did not keep their own domain, but abandoned their proper abode, He has kept in eternal bonds under darkness for…
At His death, Jesus is surrounded by a Roman centurion and his cohort of Gentile solders. Matthew doesn't say that any disciples are there. But women are, and so is Joseph of Arimathea, identified as a “disciple” but, as John tells us, a “secret disciple for fear of the Jews,”…
Showing page 176 of 309
Showing page 13 of 43
Charon Ross offers a brilliant analysis of rock concerts as ecstatic experiences ( Gifts Glittering and Poisoned , 132-4). The concert is a carefully orchestrated symbolic constellation “designed to enable the spectator to have experiences of ecstasy so wonderful and powerful that they are difficult to capture with words. Euphoria…
What Do Pictures Want? seems an odd title for a book on picture theory. WJT Mitchell intends his title to highlight the “double consciousness” that we have toward images. “why is it that people have such strange attitudes toward images, objects, and media? Why do they behave as if pictures…
Detached from the Eucharistic liturgy, preaching is at sea. Preachers announce the gospel and call our people to faith. We also want to give them something to do. There are dangers on both sides: We may so much emphasize the grace of God that we provide sophisticated excuses for passivity…
A year ago, Sarah Ditum wrote a piece for The New Statesman that compared abortion with organ donation, pointing out that the demands on a pregnant woman's body are far greater than the demands laid on organ donors: “giving away a bagful of gore or a chunk of liver that…
According to Fintan O'Toole's NYRB review , James Shapiro's The Year of Lear helps to unravel some of the mysteries of that most haunting of Shakespeare's tragedies. O'Toole nicely captures why the play is so haunting: “King Lear is not apocalyptic, it is far worse. Instead of deserved damnation and…
Geert Buelens's Everything To Nothing offers a European-wide review of the poets writing before and during World War I. It is a tour de force , recalling forgotten poets to vivid life and setting better-known poets in a new European context. The poets, he argues, were not only observers but…
Showing page 354 of 2212
Your weekly digest for all things Theopolis.
