Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Place names become fraught with meaning by association with people and events. The name “Wittenberg” calls to mind Luther and the Reformation for Protestants and Catholics alike. Geneva has a wider range of associations, but the Reformation Wall, with its four main statues of William Farel, John Calvin, Theodore Beza,…
“…a mystery without a solution, a horror story without savagery, a nightmare in which all the watches stop at noonday…” The Bestial Gardens of Men Then they will say to the mountains, “Fall on us!” and to the hills, “Cover us!” (Luke 23:30) The following lines by Edgar Allan Poe,…
2 Samuel 11-12, which record David’s sin with Bathsheba and its aftermath, is structured chiastically: This arrangement highlights several things about the episode. It reinforces what is obvious from even a casual reading, that the transition in the story occurs with Nathan’s confrontation of David’s sin and David’s confession. Up…
Medieval bestiaries are packed with quaintly inaccurate information about animals, birds, and other created things. Foxes and snakes are devilish critters; stags, pelicans and elephants are Christlike in their various ways. Of course, the medievals picked this up from the Bible, where bestiary observations are fairly common. “Go to the…
What do Reformational Catholicism and craft beer have in common? The question seems to beg for a punchline. Better yet, it would be pretty good clickbait for an article on Katharina von Bora’s “spirited” contribution that helped spark the Protestant Reformation. Well, this is no joke and I am certainly…
Suffering Defined Suffering happens. We witness it all around us and experience it in our lives. It often comes from forces beyond our control. Suffering is inscrutable; it strikes unexpectedly, on a bright summer day or a cold winter night. We lament and are bewildered by suffering. But we are…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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