Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Many contemporary thought leaders have spoken intriguingly about a future without Jesus or, to be more precise, a future in which the transcendent truths of the Christian faith hold little or no sway over society. More to the point, these thought leaders often pose as anthropologists who find Christianity dehumanizing…
Jeffery Bishop’s magisterial The Anticipatory Corpse concludes with a question: “Might it not be that only theology can save medicine?” 1 To that question I want to give not merely a general affirmation, but a particular affirmation. Not only can “only theology save medicine” but, in fact, only a biblical…
John Ahern recently made the case on this site for having shorter hymnals. “ I believe hymnals should be shorter than they are ”, he says. “ Much shorter. 100 hymns at most. ” Swap hymnal for “repertoire”, or “hymns” for “worship songs” and it all still applies. A big…
The Psalter is the hymnbook of the church. For too long, the psalter has taken a far-secondary place in the worship of God's people. And when psalms are sung, they are often changed drastically from what the Spirit gave us. In this course, Paul Buckley and Brian Moats will explore…
The Theopolis Institute is pleased to announce that Dr. Trevor Laurence is the winner of the 2021 James B. Jordan Prize for outstanding work in biblical theology. Dr. Laurence receives this award for his 2020 Exeter dissertation, “Cursing With God: The Imprecatory Psalms and the Ethics of Christian Prayer.” Laurence…
In late 2013 two nearly simultaneous events happened in evangelicaldom: Mark Driscoll was publicly accused of “plagiarism” and Ergun Caner was hired as the president of a Christian college. The first appears to be the first domino that would lead eventually to Driscoll resigning as the pastor of Mars Hill…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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