Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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God did not need to make the world. But once He’s made it, He cannot be a righteous God unless He deals righteously with sin (by punishing it) and righteously with His people (by justifying them). This is why Paul says the cross demonstrates God’s righteousness so that He might…
God did not need to make the world. But once He’s made it, He cannot be a righteous God unless He deals righteously with sin (by punishing it) and righteously with His people (by justifying them). This is why Paul says the cross demonstrates God’s righteousness so that He might…
Jim Jordan suggests that justification as forgiveness of sins always also includes glorification. The “robe” that covers us (imputed righteousness) is likewise a garment of glory and beauty, so that we are invested for office at the same time we are glorified. He wants also to relate this to the…
The story of the 10 lepers in Luke 17 is not just about Jesus demonstrating that He is powerful to save, cleanse and heal. He is powerful for all those things; He DOES have mercy on the unclean and the outcasts. But Luke tells the story of the healing almost…
Part of the Renaissance recovery of history was an emphasis on mutability and change. Few themes so dominate the poetry of Spenser or the sonnets of Shakespeare as the fear that Time will gobble up everything good. This was continuous with ancient (and medieval) conceptions of the world, since changeability…
“Movies,” writes Brian Godawa, a Christian screenwriter, “may be about story, but those stories are finally, centrally, crucially, primarily MOSTLY about redemption.” Godawa uses the theologically loaded term “redemption” intentionally, but he recognizes that many contemporary movies present a distinctly secular gospel of redemption. For some movies, redemption comes through…
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