Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Figure: Literary structure of the Garden narrative The Garden narrative describes God forming the adam , resting him in his presence, then provisioning for his appetites of food, vocation, and mate. It continues to describe a snake, the introduction of death, and humanity's expulsion from the garden. The pages of…
I’ve spent the last few years studying the theology of St. Irenaeus (d. circ. 200ad). In particular, I’ve been gripped by the way that Irenaeus consistently resisted the anti-body emphasis that emerged in later Christian theology. His eschatology is remarkably focused on the resurrection of the body, and the renewal…
Details of Jesus in Exodus 1:22-2:25 Although there are a great many Christ-types in the Old Testament, it is hard to overplay the obviousness of some that seem to necessarily rise to the top before others. One of these is Isaac, with his near sacrifice by his own father after…
What can we say about Cain's wicked sanctuary-city of Enoch? First that it was built with a brother's blood as its cornerstone. The Church is also built such, for Jesus was the younger brother of the whole Adamic race, slain by that company of older brothers because they hated Him.…
In Genesis 2:9 the ground brought forth trees good for food, delightful to view, and in two cases, life-giving or rule-bestowing. Adam, made of the ground (2:7), would by implication bring forth new trees, and thus trees and plants are among the symbols for human beings throughout the Bible. The…
One of the must fundamental teachings of the Bible and of the Christian religion is that man does not have life in himself. Man must get life from outside of himself, in order to maintain his life. The way this is done is through eating and drinking. Apart from life,…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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