Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…
In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…
“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…
Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…
“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…
In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…
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Norbert Elias’s The Civilizing Process traces modern standards of disgust and cleanliness to the development of court society during the Renaissance. Drawing on Elias, William Miller ( Anatomy of Disgust ) suggests sensitivity to disgust and being civilized are directly proportional. Martha Nussbaum ( Hiding from Humanity , 115-6) disagrees…
In his brilliant Earthly Powers (3), Michael Burleigh cites a passage from Tocqueville’s book on the French Revolution. Taking a note from Schiller about “how early modern religious wars spilled across political boundaries, which reminded Tocqueville of the ideological struggle between Jacobins and counter-revolutionaries in late-eighteenth-century Europe,” Tocqueville drew a…
Semyon Frank was a Russian emigre to London. Michael Burleigh ( Sacred Causes , 39) sums up his life: “Born in 1877 into a Russian-Jewish family, he had quickly outgrown a juvenile Marxism, converting to Orthodox Christianity in 1912, on the ground that the Jewish God was as remote from…
Our secular age can be sustained only if the secular has been carefully distinguished from the sacred, and only if the boundary between the two is vigorously, not to say violently, guarded. But boundary-drawing between the sacred and profane is the work of a priest. It is the sacred act…
Hugh Grady opens his Shakespeare and Impure Aesthetics (6-10) with a brief and illuminating discussion of Kant’s aesthetics of purity. By “pure” here is meant the freedom of aesthetic experience from cognitive reason and teleological judgments, from practical or moral interests. This disinterested experience of art is an encounter with…
Jonathan Klawans is a great one for cutting through nonsense. In his Purity, Sacrifice, and the Temple , he points to the oddity that “documents composed three, four, or even five centuries after the destruction are labeled as delayed responses to the destruction. . . the suggestion that it took…
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