Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The book of Isaiah has a very brief introduction, one verse, and then plunges into a searing indictment of the people of Judah and Jerusalem. They are sons who do not honor their father, worse than donkeys and oxen who at least know their master. They are a bruised and…
This is the third of a three-part essay. The Literary Reader As a conclusion to this essay, I want to make some observations that grow out of C. S. Lewis’s remarkable Experiment in Criticism , mentioned in an earlier installment. What Lewis is interested in doing is coming up with…
Metropolitan Manifesto, the new work from Theopolis fellow Richard Bledsoe, and first "Theopolis Books" release, is out today! Head over to the Athanasius Press website to get a copy. Half the world's population now lives in cities, and that is where the Church must learn to serve. Rev. Richard Bledsoe…
This is the second portion of a three-part essay. Learning to Read Learning to read the Bible is easier said than done, of course. There are several reasons for this, and they all have to do with the art of reading. Reading is an art and not a science, and…
“It instilled a real and abiding change in the way I understand my life as a disciple of Jesus Christ,” said Clint Hail, a Community Development Coordinator out of Dallas who attended Theopolis’ course on Mission to the City . “The course renovated the way I understand the challenges facing,…
What does it mean to read the Bible as inspired literature? The method is not new nor is it uncommon in Dutch Reformed circles. Exegesis must be Christocentric, plenary (all the text serves a theological purpose), respect the context in God’s redemptive plan, and plumb the full literary depth of…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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