Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This year’s Biblical Horizons conference was another great success and we would like to thank all those who were involved by helping out with the catering or opening up their homes to attendees and speakers. The talks, open-ended as they were, offered a fresh perspective and food for thought on…
I find myself often rehearsing conversations with my children. When the house is quiet in the late evening, and I'm standing in front of a pile of soapy dishes, I think about what I am going to say to them in certain situations. When I am driving in the car,…
In Matthew 24:29 , Jesus employs “cosmic language,” signs in the sun, moon and stars, to predict the imminent end of the Old Covenant. His first-century audience would have recognized His allusion to the prophecy against Babylon in Isaiah 13 and understood His discourse as a condemnation of Jerusalem as…
The Enthroned One speaks to John (Revelation 21:6): “I am the Alpha and the Omega, the beginning and the end. I will give to the one who thirsts from the spring of the water of life without cost.” It's a little theology proper. For starters, there's the Greek version of…
In reading about how we got into this mess, I came across a very interesting couple of paragraphs that I think the church could learn from if we are going to counter the Obergefell ruling. Prior to 2009, same sex “marriage” had gone to the ballot box thirty-one times in…
In my previous essay on Macbeth , I pointed out that Shakespeare rewrote Scottish history to construct a play which points to Adam’s Fall — a man and a woman tempted by devils to steal the throne and become like gods. It is hard to imagine anyone in Shakespeare’s day…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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