Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We assume we understand “chapter two” of Ephesians, and therefore generally get the entire Old Testament wrong. We also misunderstand the evangelism in Acts. Our misunderstandings might have happened without Ephesians 2, but the confusion is mutually reinforcing. This confusion (either cause or effect or both) also extends to a…
From the Cucumber to the Cross All creation groans with the pains of childbirth, so the Apostle Paul tells us in his epistle to the Roman church. This is a fact that I believe every living person not only knows, but feels deeply. Something about this world just isn’t quite…
Angela Standhartinger has written about the so-called “house-hold code in Col. 3:18-4:1.” Her introductory paragraph is illuminating. The household code in Col. 3.18-4.1 is the earliest text in the New Testament that calls on women, children and slaves to submit to men, fathers and masters. In many respects this text…
On the Woman Question Strength and honor are her clothing And she shall rejoice in time to come. There’s been, I’m sorry to say, more Discourse. Primarily though not exclusively on Twitter. About the Woman Question, again. So I figured I’d make things a little worse by highlighting an aspect…
How to Spot a Simulation The smartest way to take over the world is to replace it with a fake one. The smartest way to replace it with a fake one is little by little. Part 2 Part 1 can be found HERE . Dirt or gold Another difference between…
How to Spot a Simulation The smartest way to take over the world is to replace it with a fake one. The smartest way to replace it with a fake one is little by little. Part 1 Deception is the common factor in all of Satan’s schemes, but throughout history…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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