Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Timon Cline wrote recently that “theonomists” didn’t run Puritan New England. 1 He is correct, in his major thesis, that the claim that “Puritanism and the natural law tradition are antithetical” is “wildly ahistorical.” Mr. Cline demonstrates that Puritans repeatedly extolled natural law. Besides the Puritan sources Mr. Cline mustered,…
The Church is the land of the walking trees. In Mark’s Gospel, the identity of Jesus is slowly and progressively revealed. Though St. Mark announces at the beginning of his narrative that Jesus Christ is “the Son of God” (1:1), this is a reality that must be spoon-fed to His…
All Scripture is of ultimate significance as the word of God, but it may be helpful to think about what makes a book (in this case, a letter) possibly unique within the canon. In this case, the “general” nature of Ephesians should stand out, but it often is not recognized…
Where do we draw the lines between what is right and wrong? This question is fundamental to civilization, fundamental to a free society. To put this question in the bluntest and most offense terms: if there is a time to kill — which Solomon says there is — whom shall…
This article was originally posted in May of 1994. We speak of God as Father, Son, and Holy Spirit. The early Church tended to speak of Him as Father, Word, and Spirit. In this short essay, I want to suggest some other ways to think of the Trinity, ways that…
Jonah’s Home The story of JONAH belongs in the book of KINGS. JONAH balances the story of the unnamed Judean prophet (1K13) in KINGS’ literary structure. Each story describes a journeying prophet that crosses land or sea to confront a wayward king. The two stories are located during the reigns…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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