Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Your first born is a novelty. Everything seems special and unique. No one’s child is like yours. Then, over time, you begin to make mistakes. Some strategies don’t work on the additional personalities born into your family, or they simply don’t scale from a practical perspective. With maturity, you realize…
Could Jesus have sinned? Before answering the question, it's best to run through a couple of qualifiers. First, scripture clearly teaches He did not sin. Second, I realize the seeming futility when discussing hypothetical situations. The question of the peccability of Jesus, or Jesus's capacity to sin, is in reality,…
The first time I saw the inside of a prison was in 1999; I was 16. I hadn’t knocked over a fruit stand or been caught stealing hubcaps, I was just an unsuspecting teenager playing piano for a Louisiana gospel group. One Wednesday evening in October, my pastor and leader…
The act of naming carries a lot of weight in the Bible. Naming denotes authority and possession; the namer signifying that he understands the thing named, and therefore possesses the requisite wisdom to rule over it. God set the stage for naming when he named the domains during the first…
This short essay makes an obvious point: Church growth is a matter of the rate of entry into a church relative to the rate of exit from that church. Perhaps church growth literature has long recognized that fact. Yet given the greater focus in church – at least in my…
If you’ve not yet heard of Aaron Renn’s three worlds framework , here’s the quick version: once upon a time, being a Christian was a net social good in American society. Whatever was going on behind the scenes in elite institutions, the general rank-and-file perception of Christianity was positive. That…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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