Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mystical theologians are often unguarded, extreme, un-nuanced, pressing to the edges of heresy, sometimes beyond. Still, the mystics are worthy of study. Why? Many reasons. Unlike some late medieval and post-Reformation dogmaticians, mystical theologians are often instinctively and richly Trinitarian. Historical-critical approaches to Scripture left mystical theologians virtually untouched; mystics…
Portia of Belmont is a “lady richly left,” as Bassanio says of her in the first Act of The Merchant of Venice . Plus, she’s beautiful and wise. Suitors clamber to Belmont in hope. Her father knew it would be so, and in his will set up a fairy-tale test…
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In the nature of the case, “the” Christian meditation on Deuteronomy 14:1-21 cannot be written. Meditation offers too many possibilities, opens too many doors. There is not one and only one correct set of associations for a Christian to consider when thinking of Deuteronomy 14:1-21. We could, for example, consider…
Having retold the story of the cumulative sin of Israel leading to the great atonement on the cross, Paul then reemphasizes that, just as both Jew and Gentiles were locked into sin and judgment, now they are both justified by faith: Then what becomes of our boasting? It is excluded.…
Deuteronomy 14 is full of allusions to events of Israel’s history and other portions of Scripture. What would an Israelite learn by mediation on these allusions? The answer, I believe, is at least fourfold. Faith, Worship, War For the ancient Israelite first hearing Moses’ sermon, or perhaps hearing it read…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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