Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There’s something about joy that is infectious. And occasionally, we all have the opportunity to be in someone’s presence who is so happily engaged in their work, so joyous in their pursuits, that we want to learn from them. We want to know where that joy comes from and attain…
Jesus has told us that He intends all nations to be discipled. Nations. Not just individuals. All nations as theocracies. That being the case, the Church exists for the life of the world. Being baptized is not only a matter of becoming part of a new family, it is also…
Harold Bloom’s essay on Macbeth includes the kind of penetrating insights that make Bloom the great Shakespearean scholar that he is, but it also includes his typical and intense anti-Christian bias. “If Lear was pre-Christian, then Macbeth is weirdly post-Christian. There are, as we have seen, Christian intimations that haunt…
Revelation 16 is a day of atonement text. The tabernacle of the testimony has been opened (15:5). The angels who receive the bowls are clothed in linen (15:6), the clothing of the high priest when he goes into the sanctuary on the day of atonement (Leviticus 16:4). The temple is…
From time to time, when I’ve lectured on how to read the Bible, I’ve used art-music as one example thereof. When we listen to a simple folk song, we hear the same melody over and over again, but this is not how composers write "high" music. Let me amplify. A…
"For just as Jonah was three days and three nights in the belly of the sea-monster, so will the Son of Man be three days and three nights in the heart of the earth" (Matthew 12:40). Some reflections on Jonah’s Big Fish have led to the following essay. Let me…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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