Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Theopolis is delighted to announce that we have hired Brian Moats as Assistant to President Peter Leithart. An Alabama native and graduate of Boyce College in Louisville, Brian is a professional photographer who has also worked as a salesman and dispatcher for Charter Communications and Wayne's Environmental Services. Brian and…
Over the last few years, I have had frequent cause to return to the question of the ways in which the past and its forms of liturgy should be handled within the Church today. Keeping faith with the past is seldom as straightforward an endeavour as it might initially appear,…
The book of Proverbs appears as a largely random collection of aphorisms drawn from experience saturated in law. Despite its random arrangement, however, the book does have an over-arching structure that reinforces its main themes. One way to gather clues regarding the structure of a biblical book (or any book)…
Prior to attending the week-long intensive course on Holistic Mission, my wife and I were living two counties away from Milwaukee, in the comfortably quiet and rural village of Slinger, Wisconsin. In God’s providence, after nearly ten years of living in Slinger, we realized some changes to our comfortable and…
I have many Roman Catholic friends. Leading from my time at Saint Louis University and continuing through various scholarly engagements I often get an opportunity to discuss history and theology with Roman Catholics who are very well educated in their tradition and practice, some of whom are leading scholars in…
Theopolis ended its second year of operation with its Pentecost Term course on Music in Life and Liturgy last week. Co-taught by Ken Myers of Mars Hill Audio and scholar-in-residence James Jordan, the Music course was the largest Theopolis course yet. Sixteen pastors, seminary students, and music ministers from nine…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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