Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In this essay we will think about how the whole Bible is structured as one Word of God. To begin with, there is only one Bible, not two. While we divide the Bible into Old and New Testaments, that division has no more meaning than divisions into chapters and verse,…
How should one badly bruised and inadequate church relate to another? (I am not addressing the blessed possessors of absolutely perfect churches, naturally.) I believe there are three things to bear in mind. First, we must be open to the values in other Christian traditions - even Roman Catholic and…
The third and sixth day have a second creative act. Note the chiastic arrangement of the material in these special acts and the parallelism between them, see the figure below. The author arranges the description of each day as a chiasm. Each line in the chiasm is mated with a…
Now the two of them were naked, the man and his woman, and they did not sense shame (Genesis 2:25) The nakedness of Adam and Eve requires several comments. First of all, against those who think that nakedness is what God intended for humanity as a permanent estate, we have…
I’ve been reflecting on the meaning of integration, and our longing for integration in a fragmented world. I’ve been connecting my own covenant epistemology further with the thought of scientist-philosopher Michael Polanyi, artist Makoto Fujimura, and Classical Christian metaphysician D.C. Schindler. In my last post , and now in this…
Luke 13:31-33 is one of the strangest passages in the Gospel of Luke. It begins with a time note that sounds emphatic “At that very hour.” Then, we are told of Pharisees bringing a message that Herod wants to kill Jesus! In His answer, Jesus speaks of a three day…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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