Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…
For many young people with safe and easy lives, the most heartfelt prayers often concern relationships with the opposite sex. I used to be embarrassed by this, since I felt a little panty-waisted praying for “wisdom” about “that girl” while reading: Be merciful to me, O God, for man would…
I’d like to start by thanking Peter for taking the time to read and review The Slavery of Death and for letting me share a few thoughts about some the questions and concerns he had about the book. Let me start with a confession. Interdisciplinary work is a scary thing…
The extension of rights to the Jews was one of the great achievements of the French Revolution, and in Out of Revolution: Autobiography of Western Man (219-29) Rosenstock-Huessy moves from a discussion of the resulting Jewish enthusiasm for liberalism to a digression dealing with the relation of Jews and Gentiles…
In two recent books, The Slavery of Death (2014) and Unclean: Meditations on Purity, Hospitality, and Mortality (2011), Richard Beck, a professor of psychology at Abilene Christian University, explores the connections of theology and psychology. Both books examine the overlap between biblical themes and psychological research. The Slavery of Death…
Epiphany is a season of light. The specific event celebrated during Epiphany is the visit of the magi to the Christ child, but the magi were always understood as the firstfruits of the nations. The magi were drawn to the Christ child by a light in the sky, a star…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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