Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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That’s Barthes not Barth. As in Roland. Prickett suggests that Barthes’ proclamation of the death of the author, his manumission of interpretation from the obsession with the limited, final, “secret” meaning, and his hope for a liberated “anti-theological” and “revolutionary” reading that refuses “to fix meaning” in fact opens the…
Poststructuralism likes to think itself radical, but Stephen Prickett (Words and the Word) points out that it excludes the possibility of novelty. Barthes says that a text is “a tissue of quotations drawn from the unnumerable centres of culture.” And Kristeva’s notion of intertextuality, on Prickett’s reading, encloses a text…
A few highlights from James Wood’s chapter on language in How Fiction Works . Early on, he mentions the “old modernist hope” that prose can be “as well written as poetry.” This will require readers and novelists to develop what Nietzsche called a “third ear”: “We have to read musically,…
Lewis remarks on the high difficulty of adverse criticism, noting that the difficulty lies partly in the fact that the defects of bad literature are found in good literature: “The novel before you is bad - a transparent compensatory fantasy projected by a poor, plain woman, erotically starving. Yes, but…
Lewis describes the process by which words that once expressed and aroused emotions by appealing to the imagination have been emptied of image-content and become purely emotional. “Damn you” used to be a real curse, because people believed in damnation. Now that fewer do, it’s a more or less purely…
In Lewis’s defense, he is trying to explain some of the limits of language, which are worth noting (this in the last chapter of Studies in Words ). One limitation has to do with language’s inability “to inform us about complex physical shapes and movements. Hence descriptions of such things…
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