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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Horizons

2001: A Space Odyssey

In the November 1993 issue of Open Book Peter Leithart commented briefly on gnosticism. The film 2001 is a great specimen of gnosticism, and is worth viewing as a Sunday School project for an adult class. The author of the basic story was Arthur C. Clarke, an old-school science fiction…

by James B. JordanJanuary 6, 1994
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Biblical Horizons

Two Films by Alfred Hitchcock

Alfred Hitchcock’s earlier movies display a strongly moral, even Christian, point of view, and certainly can be enjoyed by Christian viewers. His later works, such as Psycho , The Birds , and his television series, are not as clearly moral in tone. In these later efforts, Hitchcock brought humorous or…

by James B. JordanJanuary 6, 1994
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Leviticus

Cult and Communication

“What art thou, thou idol ceremony?” asked Henry V during his midnight rounds of the English camp near Agincourt. His answer was that ceremony was both nothing and everything. It was nothing in the sense that it offered no guarantee that the king would be fit for office. Contrary to…

by Peter LeithartDecember 20, 1993
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Biblical Studies

Which Sacred Writings?

You, however, continue in the things you have learned and become convinced of, knowing from whom you have learned them; and that from childhood you have known the sacred writings which are able to give you the wisdom that leads to salvation through faith which is in Christ Jesus. All…

by Peter LeithartDecember 20, 1993
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Biblical Horizons

The Production of the New Testament Canon: A Revisionist Suggestion

My research has led me to the conviction that there are three major periods of Biblical history, which lead to a fourth. These are the Ages of the Father, the Word, and the Spirit. The First Age, that of the Father, is recorded in the book of Genesis. It focuses…

by James B. JordanDecember 6, 1993
Exodus

Egypt in Biblical History

Both Bible history and the current consensus chronology of the ancient world are tied up intimately with Egyptian history and chronology. Thus, as we broaden Biblical Chronology beyond the matter of adding up numbers and try to integrate Biblical chronology with the ancient world, the place to start would seem…

by James B. JordanDecember 6, 1993

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Monster to Music

In Rune 40 of the Finnish epic, Kalevala , the hero, Wainamoinen, is sailing with his friends to Pohjola, where he intends to recover the Sampo, a talisman of good luck and extraordinary, mysterious power. No one today quite knows what the Sampo was, but many of the episodes of…

April 28, 2015

Chaucer and the Greeks

Chaucer, like Shakespeare after him, set some of his poems in ancient Greece. The “Knight's Tale” takes place in Athens, ruled by the same “Duke” Theseus who rules Athens in Midsummer Nights Dream . Troilus and Cresyde is a Trojan love tragedy. Neither of these works, however, shows much deep…

April 28, 2015

Greece in the English Renaissance

According to C. S. Lewis ( English Literature in the Sixteenth Century , 27-28), English humanists were most interested in style, but the style was mostly Latin: “Greek was given abundance of ‘mouth honor,’ but only the minor Greek authors (Plutarch, Heliodrous, Chilles Tatius, the Anthology) were really relished. Greek…

April 28, 2015

Make Love and War: The Knight's Tale

Emily, the lady-love of Chaucer's “Knight's Tale,” the first of the Canterbury Tales, appears in a garden, and the poet describes her as if where were part of the garden. She is Eve in Eden. But this is no Edenic world. The men who see her are locked out of…

April 28, 2015

Universal Tragedy

Tragic stories are fall stories. Whether through moral wrong or through some inadvertent hamartia , the tragic hero falls from a high place. Others are engulfed in the tragedy to one extent or another, but not everyone. Those who watch can experience the catharsis of pity and fear by watching…

April 28, 2015

Invention of Allegory

C S. Lewis describes the formation of medieval allegorism in his classic Allegory of Love . He begins by distinguishing between an allegorical and a sacramental or symbolic turn of mind. Allegory begins, he says, with “an immaterial fact, such as the passions which you actually experience” and finds ways…

April 27, 2015

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