Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I have never heard anyone say that the Bible is impractical, but I have heard people, after an in depth exegesis of a passage, ask for the practical application. Offer a class on childrearing, marriage, finance and the church members flock to it; offer a course on Leviticus, the visions…
Stones External and Internal The modern practice of dismantling the Bible into a shambles of documents authored in response to disparate historical events rather than viewing it as a unified testimony inspired by God is a surefire way to miss what is actually going on in the text. This failure…
King Asa of Judah made a strong start, purging the land of idols, altars, and images, and winning a war against the ginormous Cushite army led by Zerach. It all unraveled in his final years. From his thirty-fifth year to the forty-first year, when his reign came to an end,…
What appears to be Paul’s first recorded statement on justification comes in Acts 13, in a sermon at Pisidian Antioch. It's can serve as a summary of Paul's letter to the Romans, and throws some important light on the themes of that letter. Paul begins his sermon with a quick…
Iago as Tempter The answer to our first question — whether or not Othello is really great tragedy — has already pointed the way to the answer for the second question — Was Othello a noble Moor or a fool? The two questions, of course, are necessarily related. The fall…
When Adam McIntosh was ordained as Pastor of Saint David’s Church (CREC) in Houston on June 11, 2017, it was the culmination of decades of preparation. Adam is the product of two continents and three Christian traditions. Born in Paducah, Kentucky, he lived his early years partly in Jericho, where…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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