Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Figure: Literary structure of the Garden narrative The Garden narrative describes God forming the adam , resting him in his presence, then provisioning for his appetites of food, vocation, and mate. It continues to describe a snake, the introduction of death, and humanity's expulsion from the garden. The pages of…
I’ve spent the last few years studying the theology of St. Irenaeus (d. circ. 200ad). In particular, I’ve been gripped by the way that Irenaeus consistently resisted the anti-body emphasis that emerged in later Christian theology. His eschatology is remarkably focused on the resurrection of the body, and the renewal…
Details of Jesus in Exodus 1:22-2:25 Although there are a great many Christ-types in the Old Testament, it is hard to overplay the obviousness of some that seem to necessarily rise to the top before others. One of these is Isaac, with his near sacrifice by his own father after…
What can we say about Cain's wicked sanctuary-city of Enoch? First that it was built with a brother's blood as its cornerstone. The Church is also built such, for Jesus was the younger brother of the whole Adamic race, slain by that company of older brothers because they hated Him.…
In Genesis 2:9 the ground brought forth trees good for food, delightful to view, and in two cases, life-giving or rule-bestowing. Adam, made of the ground (2:7), would by implication bring forth new trees, and thus trees and plants are among the symbols for human beings throughout the Bible. The…
One of the must fundamental teachings of the Bible and of the Christian religion is that man does not have life in himself. Man must get life from outside of himself, in order to maintain his life. The way this is done is through eating and drinking. Apart from life,…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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