Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
E. John Hamlin, At Risk in the Promised Land: A Commentary on the Book of Judges International Theological Commentary. Grand Rapids: Eerdmans, 1990. For anyone who has developed a taste for the rich biblical theology of Meredith Kline, James B. Jordan, Vern Poythress, and others, it is difficult to find…
". . . and all drank the same spiritual drink, for they were drinking from a spiritual rock that followed them; and the rock was Christ" (1 Corinthians 10:4). Paul’s passing comment about the rock that followed the Israelites in the wilderness has often been treated as a bit of…
Several months ago, my brief article entitled "Elijah’s Exodus" was published in Biblical Horizons . Since that time, further study has made it evident that Elijah’s exodus in 1 Kings 17 is part of a larger pattern in which Elijah’s ministry closely parallels Moses’. The following parallels are evident: Elijah…
The translation and theology of the Hebrew term kapporet have long been puzzling to scholars. On the translation of the term, I have nothing new to offer. I wish instead to concentrate on the theological symbolism of the kapporet . The kapporet was the solid gold slab that laid "above"…
Peter Leithart's article entitled " Prey in My House" pointed out that tearing flesh is a sign of kingly rule and dominion, and that God is portrayed as the Lion-King who tears flesh. The tithe brought to God’s house provides the money for the torn flesh of the sacrifices offered…
The Seventy Years of Sabbaths 2 Chronicles 36:20-21 reads: "And those who had escaped from the sword he carried away to Babylon; and there they were slaves to him and to his sons until the rule of the kingdom of Persia, to fulfill the word of Yahweh by the mouth…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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