Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Inspired by our recent podcast on Christmas and Advent music recommendations, we offer here a list of excellent recordings that are sure to enrich your Advent and Christmas season. Praetorius: Mass for Christmas Morning Paul McCreesh with the Gabrieli Consort and Players Amazon | Spotify | Apple Music 2. Christmas…
In the year 1483 in the city of Nuremberg, the leaders of the renowned Saint Lawrence Church were seeking to redesign their altar, and above the table where the priests presided over the eucharist, they wanted new art installed above the prestigious Krell altar. What they decided on took everyone…
The consequences of disobedience start with exile from the garden of God and the Tree of Yahweh, but they do not end there. They cascade down through the structure of the dynastic order. Everything which had previously been given in the Kingdom of Elohim is either taken back or curtailed…
Parallelism: A Course Correction If you have ever studied Hebrew poetry, you have probably heard its basic poetic feature described as “parallelism.” Hebrew poetry is not metered, it does not rhyme, it does not employ many of the common poetical tropes, but its distinctive (and almost universal) feature is commonly…
In The Crown and the Courts , David C. Flatto traces the development of the idea of judicial independence in Jewish commentaries on the Scriptures – particularly Deuteronomy 17 – from the Second Temple and early rabbinic periods. These periods roughly span 400 BC to 300 AD. Flatto does not…
A curious feature of the Infancy Narratives in the Gospel of Luke is the naming of John the Baptist. When the angel appears to Zechariah, he is instructed to give his promised son the name John (Luke 1:13). On the day of John’s circumcision, Luke tells us that “they [presumably…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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